Artist chef Lisa Myers will lead a participatory lunch keynote. Food and refreshments will be provided. Workshop by Dont Rhine:
ENGL - Literary Analysis This course explores some of the most important and influential concepts informing contemporary literary and cultural theory. In the process, we will engage with several prominent methodologies, as well as the philosophical and historical antecedents without which the discipline of literary and cultural studies would not be as vibrant as it is today.
Issues pertaining to identity, cultural value, and the matrices of patriarchal, phallogocentric, and colonialist ideology that inform much of Western culture will be considered and reconsidered in depth, as will various avenues for resisting reductionist thinking.
The readings are demanding and may require you to think about art and culture in ways you may have never imagined, but if you are dedicated, serious, patient, and courageously open to new ideas, you may find that this course will change the way you understand what it means to be human.
Jay McRoy Office Hours: Is There No Alternative? As we only meet twice a week for one hour and twenty-two minutes per session, attendance is mandatory. You are required to do all of the assigned reading and writing for the course, and to have all of this completed by the beginning of class.
Failure to keep up with the reading will have a negative impact upon your performance in this class; a chronic lack of preparation will be disastrous. For each class, I will prepare a detailed lecture and present assorted multimedia materials designed to render the texts under discussion more accessible.
However, as we will all have spent significant time engaging with the readings prior to class, your insights and questions are invaluable. I won't lie to you - this is difficult material; to pretend that it isn't would be to do you a grave disservice.
However, as this course in literary and cultural studies is the foundation for further, and more advanced, engagements with literature and media on the and level in English and several other disciplinesit is vital that we wrestle with these challenging ideas and meet the questions they raise with questions of our own.
As this is a course in literary theory and analysis, there will be a substantial amount of reading and writing in this course. If you are used to "banging out" your written assignments the night or maybe even hours before they are due and relying on your word processor to catch minor errors, you may find that such an approach will result in very poor grades.
No matter how great your ideas are, if you are unable to present them in a clear and cogent fashion, your audience will not be able to appreciate your observations. Your written work for this or any course is a reflection of who you are as a student, so all written work for this class must be proofread carefully and then, once some time has passed, proofread again.
This course requires active student involvement. Therefore, it is expected that students will attend every class session on time and will stay until the end of each session. Attendance will be recorded at each class session.
Because unexpected conflicts do arise, students will be allowed to miss up to 3 classes during a full-semester course without penalty. Additional absences will impact your grade in the course. They should be your attempt to make sense of the text snot your opinions on it.
Note key concepts and quotable lines.
Note points of departure among the various theorists we will encounter. Note any important writings that the readings reference.
Critical Reading Notes must always contain a full citation of the text in MLA format, as well as page numbers for any quotes. There are twelve 12 dates when Critical Reading Notes are due; you need only turn in eight to fulfill the course requirement. If you complete more that eight 8I will drop the lowest grade.
This course will culminate with a major analytical essay.
Your thesis for this essay must be cleared with me at least three weeks before the paper is due. As you draft and revise your essay, please feel free to meet with me to discuss your progress during my office hours or by appointment.
I am on campus pretty much every day and want you to succeed; please do not hesitate to approach me with any concerns or difficulties you encounter as you craft this analysis.Carl Rhodes is Professor of Organization Studies, and Deputy Dean of UTS Business School. Working in the areas of organization studies and business ethics, his current research investigates the ethical and political environment in which contemporary organizations operate and its effects on their behaviour.
Feb 28, · Composition, and the writing produced by it, becomes a dynamic, rather than stagnate process, “words produce the effect of a truly ‘on-going present’: they are never in the past or in the future but instead are right there before your eyes; your mind opens to . Jacques Derrida (/ ˈ d ɛr ɪ d ə /; French: [ʒak dɛʁida]; born Jackie Élie Derrida; July 15, – October 9, ) was an Algerian-born French philosopher best known for developing a form of semiotic analysis known as deconstruction, which he discussed in numerous texts, .
Hurricane Katrina Report Help Hurricane katrina report help 8 Hours Henry Hudson Pkwy zip incidence reports la terre paternelle summary writing ipip neo narrative report tests. initiativeblog.com: check writing pens.
From The Community. Amazon Try Prime All skip-free writing Permanent pigment ink makes this pen check safe, fade Superior Writing Guide Kit with BoldWriter 20 Pen and Low Vision Paper. by MaxiAids.
$ $ 17 FREE Shipping on eligible orders. Jacques Derrida (–) was director of studies at the école des hautes études en sciences sociales, Paris, and professor of humanities at the University of California, initiativeblog.com is the author of many books published by the University of Chicago Press.
Elizabeth Rottenberg teaches philosophy and comparative literature at DePaul University.